Ulrike Mohr

silent geometry

March 19 – April 18, 2026

Vernissage: March 19, 6 – 9 pm

Finissage: April 18, 4 – 7 pm

Artist Talk: April 18, 5 pm

Ulrike Mohr, Abacus, 2025 carbonized willow branches, thread 45 x 29 cm (Detail)

Ulrike Mohr continues in silent geometry her dialogue with nature — drawing in time, material transformation, and ecological temporality. The works emerge from a process of carbonization, in which wood becomes both a drawing tool and sculptural element.

Her new works for ODALISQUE Berlin: Space for Art and Embodiment unfold at the edge where nature resists order, and disorder reveals its own delicate geometry.

Worklist

Lines, 2026
Wandzeichnung, Holzkohle, Draht
38 cm x 28 cm
Notation of Work #8, 6.3.2026
Aus der Serie "Notations" Holzkohle auf Papier
51,5 cm x 43,5 cm x 10 cm
Abacus, 2026
Weidenholzkohle, Faden, geknotet
42 cm x 32 cm x 16 cm
Untitled, 2026
8-teilige Raumzeichnung aus geköhlerten Palmenzweigen,
Faden, geknotet, Maße variabel
Notation of Thinking, Writing, Listening, #5, 2024 Aus der Serie "Arbeitsblätter"
Gedrucktes Millimeterpapier, Kugelschreiber, Kohle, Tusche, Kohlepapier, Bleistift, Regentropfen
50 cm x 60 cm
Gefaltete Meter (I, II), 2011 Geköhlerter 100 cm Winkel-Zollstock
Maße variabel

Biography

Ulrike Mohr

Born 1970 in Tuttlingen, Germany

Lives and works in Berlin

As a sculptor and drawing artist, Ulrike Mohr works from the material itself, developing her practice in close relation to history and context of each site. Her artistic practice moves between drawing and sculpture, installation and spatial drawing. Ulrike Mohrs ephemeral arrangements collaborate with materials such as wood, charcoal, salt, water, and stone.

Her works are presented in numerous international solo and group exhibitions, as well as in institutional contexts, including the 5th Berlin Biennale and the Momentum Nordic Biennial. She is the recipient of several awards and has realizes a number of public art projects and international artist residencies, most recently at the Nordic Artists’ Centre Dale, Norway, in 2024.

Since 2015, Mohr initiates and directs the interdisciplinary, collaborative art project “WECHSELRAUM”, and is part of the Frontviews Collective Berlin, Haunt – a center for urban ecology and exhibition space dedicated to experimental art and critical discourse.